Comedy Club

for oboe, clarinet, horn, and piano

2017

Duration: 4’30″

Instrumentation: Oboe, B♭Clarinet, Horn, Piano

About the piece:

I have a lot of appreciation for stand-up comedians. In a way, I’ve noticed that crafting a stand-up routine is quite similar to crafting a musical composition. Many different aspects such as timing, pacing, cadence, and volume are considered when writing a set. Also similar to composition, a comedian’s stories are often based on personal experiences, and the tone of his/her delivery reflects his/her emotional response to various situations.

That being said, I decided to structure this piece as if it were a stand-up routine. The piano can be seen as the comedian throughout the opening section and the oboe and clarinet could perhaps be the various audience members, nervously laughing. As for the horn, it acts as the unimpressed chump that has to be convinced of the comedian’s hilarity and merit. These forces undergo various dialogues throughout the piece, sometimes fighting or joking with one another, or sometimes getting serious for a moment. (That moment doesn’t usually last very long.) Ultimately, the comedian’s job is to entertain and, just like other art forms, take the audience on a transcendent, emotional journey that briefly obscures reality.

 

Performances:

July 17, 2017 (PREMIERE)

Fresh Inc Festival; Nichols Concert Hall at Music Institute of Chicago

Oboe: Grace Hong

Clarinet: Laura Hundert

Horn: Jacob Nelson

Piano: Evangeline Werger

Conductor: David Vess

           

October 4, 2017

Auer Hall; Indiana University’s Jacobs School of Music

Oboe: Jake Walsh

Clarinet: Lucille Berk

Horn: Tyler Taylor

Piano: Noah Sonderling

Conductor: Paul Mortilla

Score and parts available for purchase. Please contact Alex for inquiries.

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